Debutti Internazionali - International debuts

TEATRO MUNICIPALE VALLI DI REGGIO EMILIA- DEBUT- 2009

valli1

valli2

ORCHESTRA SINFONICA DEL FRIULI VENEZIA GIULIA- TEATRO NUOVO GIOVANNI DA UDINE- DEBUT- 2009

udine1

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TEATRO COMUNALE DI TREVISO- DEBUT- 2009

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treviso2

ORCHESTRA SINFONICA DI MILANO GIUSEPPE VERDI- STAGIONE SINFONICA 2009- DEBUT

orchestra_Verdi

 

TEATRO DI SAN CARLO NAPOLI- STAGIONE SINFONICA 2009- DEBUT

napoli1

napoli2

HAYDN ORCHESTER- DEBUT- 2009

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TEATRO CARLO FELICE DI GENOVA- DEBUT-2009

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TEATRO MUNICIPALE DI PIACENZA, TEATRO COMUNALE LUCIANO PAVAROTTI DI MODENA E TEATRO ALIGHIERI DI RAVENNA- DEBUT- 2009

Ernani_1

Ernani_2

TEATRO DEL MAGGIO MUSICALE FIORENTINO - FIRENZE

REcondita Armonia

Successo personale per il giovane direttore Giampaolo Bisanti, applauditissimo insieme ai complessi del Maggio al termine della prima di Bohème  da un pubblico entusiasta che ha riservato calorosi consensi a tutta la compagnia. Particolarmente apprezzati la Mimì di Maria Luigia Borsi e il Rodolfo di Gianluca Terranova, applauditi a scena aperta fin dalle loro celebri arie del primo atto. Teatro Comunale gremito di spettatori con grande presenza di giovani, anche stranieri.

ORCHESTRA SINFONICA NAZIONALE DELLA RAI di TORINO - DEBUT - APRILE 2008

TEATRO COMUNALE DI BOLOGNA - GENNAIO 2008 - DEBUT

THE MONTEREY SYMPHONY ORCHESTRA

TEATRO MASSIMO DI PALERMO - GIUGNO 2008 - DEBUT

TEATRO VERDI - SALERNO - "RIGOLETTO"

ISRAEL PHILARMONIC ORCHESTRA - 2008 - DEBUT

La Bohème at the Philarmonic

... The production of La Bohème at the Israel Philharmonic was conducted with feeling and sensuality by Giampaolo Bisanti.
(omississ…..)
But this evening belonged entirely to Susanna Branchini in the role of Mimi. In her first notes, when she came on stage, I was afraid that her voice was too dark and heavy, but she immediately showed that she is an amazing singer. After a few tones I felt goose-bumps on my skin from the great excitement. She has a wonderful and varied voice, full of musicality and feeling. Each scene she sang was thrilling; each note was in the right place and had a psychological, emotional and musical quality. She is a young and beautiful woman, which contributed a lot to the credibility of the character. One cannot say about her that the opera is not over until the fat lady sings. She is thin and tall. I have never heard of her but I wouldn't be surprised if in a short while she becomes a leading international singer.
I must reiterate my praise of the conductor Bisanti. He succeeded in arousing the orchestra, producing from it stormy rhythms when needed and unlimited lyrical subtlety throughout most of the opera. This was a concert version that did not require staging, but required greater expression than in an opera in which the scenery, lighting and costumes help the acting. There is no doubt that thanks to the conductor and to Branchini this was a great experience. And if needed, this production was proof that one great artist can sweep the audience and give them a deep emotional experience, even if the other participants were mediocre.

GRAN TEATRO LA FENICE - VENEZIA - OPERA DEBUT 2008

Fenice

 

GRAN TEATRO LA FENICE - VENEZIA - DECEMBER 2006 - DEBUT